dc.contributor.author |
Piña, Cristina |
|
dc.date.accessioned |
2018-10-02T20:58:10Z |
|
dc.date.available |
2018-10-02T20:58:10Z |
|
dc.date.issued |
2000 |
|
dc.identifier.other |
670 |
|
dc.identifier.uri |
http://repositorio.filo.uba.ar/handle/filodigital/6569 |
|
dc.description |
Basada en la obra de William Shakespeare |
es_AR |
dc.format |
application/pdf |
|
dc.language.iso |
es |
|
dc.language.iso |
spa |
|
dc.rights |
info:eu-repo/semantics/openAccess |
|
dc.rights |
https://creativecommons.org/licenses/by-nc-nd/4.0/ |
|
dc.source |
Teatro XXI |
|
dc.source |
6 |
|
dc.source |
10 |
|
dc.source |
65-66 |
|
dc.subject |
Teatro argentino |
es_AR |
dc.subject |
Shylock (El mercader de Venecia) |
es_AR |
dc.subject |
Sturva, Robert (dir.) |
es_AR |
dc.subject |
adaptaciones teatrales |
es_AR |
dc.subject |
crítica teatral |
es_AR |
dc.title |
'Shylock': los peligros de la estética del musical |
es_AR |
dc.type |
info:eu-repo/semantics/article |
|
dc.type |
info:ar-repo/semantics/artículo |
|
dc.type |
info:eu-repo/semantics/publishedVersion |
|