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dc.contributor.editorSeglie, Dario
dc.contributor.otherNEWS95 (Conferencia) (1995 : Turin, Italia)
dc.creatorGarcía, Lidia Clara
dc.date.accessioned2022-07-14T00:13:42Z
dc.date.available2022-07-14T00:13:42Z
dc.date.issued1999
dc.identifier.citationGarcía, L. C. (1999). Lime and blood : the art of the elders (ethnoarchaeology at Azul Pampa, Jujuy Province). En D. Seglie (Ed.), News 95-International Rock Art Congress : North East West South 1995 IRAC Proceedings (sin paginar). CeSMAP : IFRAO.es_AR
dc.identifier.urihttp://repositorio.filo.uba.ar/handle/filodigital/14873
dc.descriptionFil: García, Lidia Clara. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Ciencias Antropológicas. Sección Arqueología; Argentina.es
dc.descriptionTrabajo presentado en el Simposio 15-16D: Rock art, ethnography and christian manifestations del Congreso Internacional de Arte Rupestre (News 95 - IRAC 95), congreso celebrado en Turin, del 30 de agosto al 6 de septiembre de 1995.es_AR
dc.descriptionPublicado como suplemento de Survey - Bollettino del Centro Studi e Museo d'Arte Preistorica di Pinerolo. El texto con resúmenes y lista de contenidos, y el trabajo completo en un CD-ROM.es_AR
dc.description.abstractAzul Pampa region, Humahuaca Department, Jujuy Province, North West Argentina, is my archaeological and ethnoarchaeological inve"tigation area. Several important rock art archaeological sites are found there, of different periods, dating from ca 10,000 years Bp. to the Spanish conquest. This art is considered by nowadays settlers as made by "ancient people". And some legends are related to those places. At Alto Sapagua (within this region), some inner walls of rooms at the present small village, show paintings. Offspring of the people who made them say alternatively that they were made by "ancient people", or by "the grandparents". This sub-present art, made some 60 years ago, is of great interest, as mythological studies have been made regarding their origin, and offspring still remember which rooms were painted, who did it, which was its purpose, the elements used, and how they prepared them. It seems that in this aspect too, as happens with archaeological and present ceramics (as well as with other ergological element), there is a great technological continuity, which is recognized by present herders, even though they cannot or do not want to consciously register or say that they may have a common root.en_US
dc.formatapplication/pdf
dc.format.extent11 p.
dc.language.isoeng
dc.publisherCentro Studi e Museo d'Arte Preistoricaes_AR
dc.publisherInternational Federation of Rock Art Organizationses_AR
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceNews 95-International Rock Art Congress : North East West South 1995 IRAC Proceedings
dc.titleLime and blood : the art of the elders (ethnoarchaeology at Azul Pampa, Jujuy Province)es_AR
dc.typeinfo:eu-repo/semantics/conferenceObjecten_US
dc.typeinfo:eu-repo/semantics/publishedVersionen_US
dc.typeinfo:ar-repo/semantics/documento de conferenciaes_AR
ubaffyl.InvestigacionCentroPDF 2022
ubaffyl.InvestigacionProyecto.tituloProyecto Pastores y agricultores prehispánicos en el Departamento Humahuaca, Provincia de Jujuyes_AR
dc.subject.areaArqueologíaes_AR
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