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Rock art in Central and South America: social settins and regional diversity

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dc.contributor David, Bruno
dc.contributor McNiven, Ian J.
dc.creator Troncoso, Andrés
dc.creator Armstrong, Felipe
dc.creator Basile, Mara Valeria
dc.date.accessioned 2022-03-30T14:34:28Z
dc.date.available 2022-03-30T14:34:28Z
dc.date.issued 2018
dc.identifier.citation Troncoso, A., Armstrong, F. y Basile, M. V. (2018). Rock art in Central and South America: social settings and regional diversity. En D. Bruno y I. J. McNiven (Eds.), The Oxford Handbook of the Archaeology and Anthropology of Rock Art (pp. 273-314). New York, Estados Unidos: Oxford University Press.
dc.identifier.isbn 978-019-060-735-7
dc.identifier.other 111
dc.identifier.uri http://repositorio.filo.uba.ar:8080/xmlui/handle/filodigital/13735
dc.description Fil: Troncoso, Andrés. Universidad de Chile. Facultad de Ciencias Sociales. Departamento de Antropología; Chile
dc.description Fil: Armstrong, Felipe. University College London. Institute of Archaeology; Inglaterra
dc.description Fil: Basile, Mara Valeria. Consejo Nacional de Investigaciones Científicas y Técnicas. Universidad de Buenos Aires. Instituto de Las Culturas; Argentina
dc.description.abstract Central and South America is a vast region, where a wide range of different societies established, transformed, disappeared, and endured. This kaleidoscope of peoples offers a particularly rich and diverse body of rock art in terms of its historical, technical, visual, and spatial features. The first sections of this chapter briefly introduces the reader to this diversity, as well as to the history of rock art research, presenting and discussing the different theoretical and methodological frameworks used. The authors discuss the role that rock art played—and still plays—for different groups, which they have grouped in terms of their common socioeconomic strategies. The authors argue that rock art research from this region can contribute to the wider understanding of rock art in the world, offering its materialistic and archaeological approaches ranging from the study of social complexity, the domestication of animals, mobility, and memory.
dc.description.abstract Troncoso, A., Armstrong, F. y Basile, M. V. (2018). Rock art in Central and South America: social settings and regional diversity. En D. Bruno y I. J. McNiven (Eds.), The Oxford Handbook of the Archaeology and Anthropology of Rock Art (pp. 273-314). New York, Estados Unidos: Oxford University Press.
dc.format application/pdf
dc.language.iso eng
dc.language.iso en
dc.publisher Oxford University Press
dc.rights info:eu-repo/semantics/restrictedAccess
dc.source Oxford handbook of archaeology and anthropology of rock art
dc.source 273-314
dc.source.uri http://dx.doi.org/10.1093/oxfordhb/9780190607357.013.53
dc.subject  South America es_AR
dc.subject Central America es_AR
dc.subject Rock Art es_AR
dc.subject Theoretical Approaches es_AR
dc.subject Hunter-Gatherers es_AR
dc.subject Agrarian Communities es_AR
dc.subject Pre-Hispanic States es_AR
dc.title Rock art in Central and South America: social settins and regional diversity
dc.type info:eu-repo/semantics/bookPart
dc.type info:ar-repo/semantics/parte de libro
dc.type info:eu-repo/semantics/publishedVersion


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